#Minolta camera review manual#
#Minolta camera review iso#
#Minolta camera review series#

The take up spool has such a neat little mechanism that grabs the film tab as you load and advance the film through for loading. Loading film into the Minolta is probably my favorite part about the camera. Finally, the bottom of the camera has tripod accessibility as well as a battery door and film rewind release. The left side of the camera (looking at the front of the camera) has a small metal loop for a wrist strap while the right side of the camera has a connection for the EF-C flash which looks strikingly similar to the Olympus A11 flash. The AF-C sports a 35mm f/2.8 lens with a self timer switch to the left and an ASA dial underneath the sliding lens cover. The front of the camera is just as simple. It makes me long for the advance tab seen on my Minox 35 EL.

To me, this makes the camera feel a little cheap. The camera only has a rewind knob, shutter button, and film counter on top. Starting at the top of the camera, the camera is ridiculously simple and minimalistic for better or worse depending on what you are looking for in a camera of this type. ItвЂ™s pretty slick looking, perhaps a bit too Robocop-looking for me personally, but it does remind me a bit of an 80вЂ™s Ferarri. The AF-C has a sliding lens cover and also sports a detachable side-mounted flash. By its looks, it appears as if the Lomo LC-A and the Olympus XA had a love child. The Minolta AF-C is an interesting camera.

#Minolta camera review series#

One camera that I have never seen mentioned (nor did I know it even existed until recently) is the Minolta AF-C: something that looks like the long lost sibling of the Olympus XA series or the Lomo LC-A. In the replies, I always see the same answers the Contax T2, Olympus Stylus Epic, Rollei 35, and Olympus XA usually round out the top of the responses. Typically speaking, OP is looking for a camera with a sharp f/2.8 lens. I frequently (almost daily) come across Facebook groups where someone is asking about the best quality point and shoot for the best price. All pictures were shot during the dark Nordic winter, so the colors might have been affected by that.With premium point and shoots skyrocketing in price due to their scarcity, celebrity endorsement, and cool-guy factor, many people are searching for alternatives to cameras such as the Contax T2 (nearing $600, I sold mine for $325 about a year ago) and the also steadily-rising Olympus Stylus Epic with 35mm 2.8 lens (some asking prices near $2-300, but I have found more than a handful at the local Goodwill for under $4). Colors seem to be neutral but with some degree of a blue cast.

#Minolta camera review iso#

Flash is sufficient, it worked great with Tri-X at ISO 1600. I donвЂ™t know, images are not as contrasty and sharp as the T3вЂ™s, nor as the Gr1, but they are pleasant. If I want that effect I could use my Olympus XA or the Lomo LC-A. I can notice a slight vignetting in many of the pictures. It has focus and shutter speed indicators. The viewfinder is tiny, 0,4x magnification, the field of view 85%. The autofocus is fast and accurate, no big lag noticed. The Contax T3 is much worse in this department.

#Minolta camera review manual#

The manual control, using the dial to choose the function and a metal piece lever to cycle through the menus, is not great but it works. The TC-1 LCD display is ok but has tiny icons. Rioch Gr1 sits better in the hand in my opinion. It is almost too tiny, in that digital compact sense of tiny. Another really great thing is the manual focus control with 22 steps from 0,45m to infinity, better than most others. It has a passive multi-point AF with spot metering (button control). MoreвЂ¦flash cancel, exposure compensation, and other edits are saved when turning the dial to вЂњholdвЂќ. This is something I miss in many other of the better compacts. I donвЂ™t knowвЂ¦ The changing of the aperture is easy as it gets.ДЄnother great feature is the manual ISO-setting. However, with a 28 mm lens, you have such a wide depth of field that this is most likely to have a marginal effect.

The вЂњbokehвЂќ and out-of-focus areas will, therefore, be more pleasant and even compared to the polygons of the iris lens. What you gain with fixed apertures is a perfectly circular hole instead of the usual iris diaphragm with 5, 7 or 9 blades. It is exactly the same construction as in toy cameras, a metal piece with drilled out holes.

The strangest and most unusual construction is the aperture control. It also exists as a stand-alone lens with a Leica M-mount. The lens is a G-Rokkor 5 element in 5 groups design.